The sixth session national fine arts exhibition, Lin Zhongwen was known as cursive in the style of Huang Daozhou and awarded. For decades he is intentness, tireless and enterprising, comprehend deeply, and works gradually strict and vivitd. The calligraphy based on the late Ming Huang Daozhou, Wang Duo, Ni Yuanlu, Zhang Ruitu several artists, but also focus on creative ideas, with the modern perspective interpret the ancient books pattern, especially the length of the line opening and closing and movement, in order to give people the performance beauty of fully and delightfully. After a long period of exploration and practice accumulation, he blended the understanding of Ming and Qing Dynasties romantic calligraphy style into cursive creation, artistic perfection gradually.
——Zhang Gaiqin vice chairman of Chinese Calligraphers Association
In one thousand years of Zhangpu history, a scholar, famous calligrapher Huang Daozhou is undoubtedly one of the outstanding figures of the most dazzling. Mr. Zhong Wen lived not far from his side of the Park residential area. With county sage neighbors, he felt that his works have roots, origin and inheritance. He has always been very respected Huang Daozhou's calligraphy art achievement and national integrity, Huang Daozhou's "Zhangpu style" is the focus of his research and study, early in the last century at the end of 80s, he was in the "calligraphy" magazine published "on Huang Daozhou's calligraphy art" and other papers, explained the author's learning experience. His calligraphy works are mostly written in Huang Daozhou's poems, and inherited Huang Daozhou calligraphy’s ups and downs, and the vigorous style. He won the sixth session national calligraphy and seal cutting exhibition "National Award" of the cursive work is absorbed Huang Daozhou, Wang Duo, Ni Yuanlu and other calligraphy master’ features, and into their own personality and style of creative work. Zhong Wenxue, Huang Daozhou, not only vivid, but also can reach the realm of understanding.
Zhongwen’s main style is Huang Daozhou, learn widely from other strong points, several strokes of calligraphers blending together, naturally shown, its line of bright and clear, every works are especially have ready plans to meet a situation at a potential. Zhongwen’s cursive in control and full effective, clear and dense, between points, opening and closing, have their own form, to people everything fresh and new feeling. His calligraphy pursues the ancient sages, proud and bold, with various art forms, grand atmosphere and have own style, a larger impact in calligraphy circles.
Zhongwen devoted to the creation of cursive and running script, it seems, have not see what a pure flavor, he put a few strokes together, very comfortable performance. We can see several features, first of all is the line of old, confident, is relaxed to complete a work. Creation is the emotional flow channel, especially in the Ming and Qing faction, not gentle, but quickly without obstruction, even not to write and thinking, therefore, air is full. The second is imposing tough, strong, decisive line shows the lines tough. Zhong Wenshan is good at writing cursive characters, the Ming and Qing Dynasties calligraphy is set up for writing characters, the standing suspension elbow, large aspect, with great eloquence, should to say zhongwen deeply understanding the essence of the Ming and Qing Dynasties cursive. The third is to coordinate, appreciate the works of the cursive of Zhongwen, no local especially conspicuous, they are in a unified tone, little action, no exaggeration, a complete full, really feel. The Ming and Qing Dynasties calligraphy style of Zhongwen, there is indeed his own correct thinking.
——Zhu Yisa academic board associate director of Chinese Calligraphy Association, professor of Fujian normal university fine arts college
Lin Zhongwen cursive has country sage Huang Daozhou’s side fold, changed it with thin and long, the calligraphy style belongs in late Ming dynasty. This couplet remains slender body, a slim upright state. The pen with the Northern Wei party pen and the folding side turn, make it more tough ancient quality. Then add two or three cursive words, changed the dull, make it graceful.
——Liu Zhengcheng chairman of International Calligraphers Association, chief editor of “Chinese Calligraphy Complete Works”
With the study of Huang Daozhou’s calligraphy, 30 years never slack, obtain its essence and inherit the spirit, is the top figure written in the style of Huang Daozhou. He took the method of precise code, characters in cursive is special excellent, elegant and leisure, to highlight the spirit of innovation in inheritance.
——Fan Dian curator of Chinese Art Museum, vice chairman of Chinese Artists Association
Mr. Lin Zhongwen is good at painting and calligraphy, the writing style of Huang Daozhou is well-known in calligraphy circles, he using brush very flexible, virtual and real are nature, ink wet change is rich, so the works are bold and unstrained, has a strong visual effect, in the present calligraphy circles become an independent school, on behalf of one of the calligraphy style of the Ming and Qing Dynasties.
——Wei Zhe director of Chinese Calligraphers Association, member of the review committee, vice chairman of Liaoning province calligrapher association